Naked people work-Marina Abramović's naked living doorway to be recreated at RA | Art and design | The Guardian

Facebook has policies banning nudity on its platform and Instagram. Some artists say this prevents them from sharing their work online. Read more: Facebook really hates people buying likes on Instagram and is suing a company which made millions selling fake engagement. Facebook and Instagram have missed this message entirely as they cling to negligent and blatantly misogynist policies that overlook the context of the artistic nudity being posted. She said her own account had also been banned on several occasions.

Naked people work

Naked people work

Naked people work

But if somebody comes to me for a bikini waxing San francisco swing clothes on, I say, 'You better get undressed. I'll make a joke about my own body to put them at ease, or say something like, 'I'm really going to get to know Naked people work well today. I realized I'd rather just spray it and see it from a distance. But I've sprayed a Naked people work guy where I've turned around and seen him staring at my ass. And a deeper question might be, why must artists feel the need to censor themselves?

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There's not a female nipple in sight on the Astor Place Plaza in lower Manhattan.

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You take it off. They go to work. Ever wonder what waxers, spray tanners, and the like are thinking? These are their stories. All of us have been there. The spray tanner or waxer, or massage therapist murmurs, "Just let me know when you're ready," slips discreetly out of the room, and the time has come to take off your clothes. All your clothes. You remind yourself that it's absurd to feel modest: This body pro has seen every shape, size, texture, and variation of human flesh imaginable.

And while the mantra-like phrase "She's seen it all before, she's seen it all before" is indisputably true, it's also not the whole story. The women and men who prune, buff, rub, and smooth us may have learned how to deal with nudity with aplomb and respect, but that doesn't mean laying eyes and hands on an endless parade of strangers hasn't had an effect on how they see the world—and themselves.

We know what races through our heads in this most intimate of settings; now let's listen in on what goes through theirs. My parents had a beautiful home back in Romania with a lot of trees and flowers, and I used to bathe in the sun. My grandfather, he used to walk around the garden nude. So I have no problem being naked, and I have no problem looking at naked people. If an aesthetician is prudish and shy about seeing somebody else's body, she's in the wrong business. If I let my sexuality show, I'm going to be out of a job fast.

It's Women are in a hurry, they have no patience. Clients over 55, they can be more prudish; they may not want to see the young girls running around naked. But if somebody comes to me for a bikini waxing with clothes on, I say, 'You better get undressed. I treat them like my own nieces.

No Brazilians until 16, even though they ask. I tell them, 'I don't think so. You have another year or two to wait. Time flies fast. I went through it two times myself. I'll give them the smock and walk out of the room if they want.

But usually they end up saying to me, 'No, I'm not worried. I listen to their pain, and they listen to my pains. But my pains I share less, because it's not about me, it's about them. That's it. When I see a person who doesn't bother with her appearance, I'll say, 'Wow, she let herself go. But at the same time, I hope I don't look like that. Sloppy makeup, or not having their nails done or having them done cheap—I don't hate anything more in this business than cheap nail polish.

And I let them know. You know, you don't give a Christmas gift or birthday gift without the bow, without the little card. It's the same thing. There's a lot that goes on in the first 30 seconds: Is this woman going to be comfortable with her clothes off?

If this gentleman is straight, what are his feelings about getting a massage by, in my case, another straight man? You almost need to be a eunuch, because if I let my sexuality show, I'm going to be out of a job fast. I don't judge. If you get physically aroused, great, get aroused. Either way, I want you to take your underwear off. I'm going to need to work on your butt—I love having mine worked on—and I need easy access.

Once she asked us to ice his testicles, because she said they were trying not to get pregnant. Another time he came in with an electronic chastity belt. She had called in advance to give us the electronic code. So, yeah, I've seen it all. I get 'You've got the greatest job in the world' all the time, but actually, seeing bodies all the time creates a kind of neutrality toward them.

I think everybody has a physical type that they are attracted to, and I still have that. I'll see a woman who's five-five, with brown hair, kind of more on the curvy side, and I'll think, What an attractive girl. In the first year or two of doing massage, I'd get kind of excited. I mean, I get to invite her to take off her clothes.

I still get the reaction, 'Wow, that's a beautiful body,' but it's more like looking at a piece of art. I would say my job has deepened my sense of sexuality even more by making it less physical, and the personality more important. Honestly, I prefer men as clients now, straight or gay. The communication is guy to guy—it's easier, it's not complicated by the power dynamics of a man-woman situation.

And men tip better. You're standing there under bright lights, you're looking me in the eye. But I feel way better about myself than I ever did before.

Because, what, is life over when you're no longer 20 and weigh pounds? I'm a mother of two in my 40s, and I look back at pictures of myself in my 20s, and I'm like, I was so damn hot. Why didn't I recognize it? And I want to explain that to these people, you know? They can be completely fat and they just don't give a toss. Women and gay men have more of the same sensitivities.

It's the culture—it's very competitive out there. They need tender loving care. We want everyone to walk out with a spring in their step and feel in charge of their sexuality. For men, it's called disco balls. And I've always found this interesting: Whenever you go into the room to perform a vajazzling, the person will invariably have her cell phone with her. They're not butt-naked, spread eagle, getting vajazzled, because they've got that phone.

They're in their professional mode, or in their own personal zone. One time, I came into the room and I heard this very distinctive English, male accent—a very famous British actor. We have these painter's masks we wear on our faces so that we don't breathe in the spray-tan solution all day. And this famous actor was trying to put the painter's mask on and cram his dick into the cup.

He thought it was disposable underwear. I wasn't going to embarrass him at all. I just helped him adjust the elastic. I've been doing this for six years, so I'm not even thinking about it. But at the beginning, I was more conscious of the nudity.

I would be thinking, OK, there's a naked lady in the room, don't look at her, don't look anywhere except her eyes. Now, the first area I spray is usually the butt, including underneath it, so the first position I put them in involves bending over with their butt in front of my face. The only thing that's definitely different are the va-jay-jays. Once in a while I'll think, Wow, I haven't seen that.

I went to school for aesthetics, where I learned waxing. You're really getting in there, spreading it, actually touching it. I realized I'd rather just spray it and see it from a distance. Straight men wear their underwear. I just don't feel comfortable with them going fully nude.

But my gay clients, they don't want tan lines, so I tell them to bring a clean sock, and they'll just cover that part, and then I'll be able to spray without that thing dangling all over the place. I don't mind with gay men, because they're obviously not thinking about me.

But I've sprayed a straight guy where I've turned around and seen him staring at my ass. The more nervous the client is, then I get nervous. Or she'll say, 'Oh, my God, I have so much cellulite. And then, there actually are women out there with not one ounce of fat or cellulite. But that's probably like 5 percent of them. I'll make a joke about my own body to put them at ease, or say something like, 'I'm really going to get to know you well today.

You have to be very gentle with an adolescent—there's going to be no nudity whatsoever.

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Spencer Tunick #WeTheNipple Naked Campaign Photographs - Nude People Pose to Challenge Facebook

There's not a female nipple in sight on the Astor Place Plaza in lower Manhattan. But outside the New York offices of Facebook, which is also the parent company of Instagram, on a very early Sunday morning, nude men and women are sporting a total of nipples. Each person is holding huge, blown-up photographs of male nipples to cover their genitalia.

They are here to be photographed by Spencer Tunick, an artist whose work depicts tens, hundreds, even thousands of naked bodies arranged as art. Tunick has done more than 75 of these installations—including one at the RNC called "Everything She Says Means Everything" —so he has it down to a science: Sun rises at a.

The participants and their nipple stickers cluster together and pose, faces serious, backs to the Facebook office, one nipple disc aloft and one over their private areas.

Tunick's team yells at stalling taxi cabs and gawping bystanders to get out of the shot; even at this unearthly hour, New York City isn't empty. For another pose, the group faces the Facebook office, asses to Tunick. For a third, they lie on the cold, dirty sidewalk. It's quick and efficient, the quiet punctured by calls from Tunick of "Nipples towards me! The participants, a wide range of genders, ages, and races, take the work seriously until after the final shot, when they cheer and hug.

Later, artist and creative Melissa Marino, 43, tells me participating in the shoot was "peaceful. Together, Tunick and his subjects are creating an "art action" to bring attention to Facebook and Instagram's overtly gendered censorship of the female nipple. The question that hangs in the air here is: Will Facebook or Instagram ban the photographs and videos that come out of this new art installation?

While celebrities like Miley Cyrus and Naomi Campbell have been vocal about freeing the nipple, artists bear a significant burden. Facebook's community guidelines read, "While we restrict some images of female breasts that include the nipple, we allow other images, including those depicting acts of protest, women actively engaged in breast-feeding, and photos of post-mastectomy scarring.

We also allow photographs of paintings, sculptures, and other art that depicts nude figures. Nudity in photographed art is seen as taboo as pornographic content, even if its tone is not remotely sexual.

Gender non-conforming artists and subjects are sometimes told the nipples in photographs are female, when they don't consider them as such. Artists get their work removed without warning; sometimes, they're banned from a platform. And if they cannot reach people through social media, it's as good as being silenced.

Artist Savannah Spirit, 43, is among the artists and non-artists who committed to Tunick's call for volunteers. She has had her work censored on Facebook and Instagram and her account deleted "countless times.

To some, it seems as if Facebook deemed itself the moral authority over image sharing, allowing men to show their nipples but drawing a hard line at female nipples. If artists choose to blur or pixelate nipples, as Tunick must do to post his work on social media to prevent it from getting banned, it sometimes makes it seem more sexual than was ever intended.

Her work was censored once. You can try to appeal it. What Tunick wants is to change that "corporate world of censorship. Tunick and the NCAC point to a policy change YouTube made more than 10 years ago to allow nudity in art as an example for Facebook and Instagram to follow. His official photographs will be released later. These so-called nipple donors were given specific guidelines for donating photographs of the nipples.

For instance, they couldn't take the photo with a selfie camera. They had to pull the nipple taut. They had to measure the diameter of their areolas. Anything too hairy was Photoshopped bare.

It's all legal, too. Nudity is allowed in New York, in fact, thanks in part to a lawsuit Tunick himself brought against the city in the early aughts after being arrested multiple times for pursuing his nude art. All the NCAC had to do was get a permit to gather a large group. There was a time when men's nipples were as restricted as women's. In , some daring young men wore swim trunks to Coney Island and were fined for topless bathing.

But male nipples could not be stopped. By , New York had struck down its topless ban for men. These days, you'd hardly bat an eye at seeing a photo on Instagram of a shirtless man, whether at the beach or modeling some high-end clothing line. Some artists think you should. And a deeper question might be, why must artists feel the need to censor themselves? Farah Marie Velten, 38, a visual artist, had a piece of artwork—a self-portrait that showed her breasts—published in a journal, and she wanted to share it on social media.

And now I have to go through this whole thinking of, am I supposed to be ashamed of it? Is it wrong? We look forward to continuing the dialogue with NCAC and other affected groups in more detail.

For his previous installations, Tunick would post a version of his work with the nipples and genitalia blurred out, juxtaposed with an uncensored version on his own website. This time , his social media postings are unblurred —a challenge to whoever's monitoring it on Facebook and Instagram's end.

As of this writing, they have not been removed. Type keyword s to search. Today's Top Stories. The Final Days of Gawker 2. The 10 Greatest Consoles in Gaming History. Getty Images. Related Stories. Tunick's art action drew participants of all genders, ages, and races. Tunick, in black, directs a pose as participants face Facebook's New York office. Fay Fox. Male celebrities and artists photographed their nipples to be used for the art installation.

Participants gather in Astor Place Plaza after ditching their clothes on the sidewalk behind them. The Facebook office, behind the participants, is unmarked. Participants celebrate after Tunick wraps the shoot. Advertisement - Continue Reading Below.

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